I believe that materials such as ceramics and raw clay, when involved with sound and light, can present a variety of messages. They contain an inner knowledge of social issues, and hint at their impermanent status.

My main point is that compassion is an important attitude for young artists who live within a decadent Western society.
I use the spatial environment of the work as a channel to suggest interactions between philosophical values and the materials used.

Permanent status, natural senses, or consciousness cannot answer the emotional. Love, instead, finds its way forward through visual expression and can develop through the seasoning of imagination.